WEBVTT

NOTE
This transcript was created on 2026-05-10 at 19:34:05

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Hello, dear listen, and welcome back to Jody and Terra, the only

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Doctor Who flash cast that serves as a statement on modern

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society.

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Ooh, isn't modern society awful.

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I'm Nathan.

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I'm Brendan.

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I'm Todd.

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And I'm Johnny.

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So we are just over 24 hours away from our 1st viewing of the

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festive special for 2021, which is called something, Revolution of

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the Daleks.

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And I thought we'd begin by just sort of going around the table

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and getting everyone sort of 1st impressions.

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Actually, I've got no idea what Johnny thinks of this.

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So let's start with him.

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Oh, I really enjoyed it.

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And partly because I always enjoy festive specials because I'm

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usually watching them with friends and wine and so they nearly

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always.

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They are nearly always come off very, very well indeed.

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Um, but this was, this was good and it left me with the feeling

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that Chipnell knows how to do those those big festive specials

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pretty well.

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He's done 3 of them now, and I think they've all come off.

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Um, relatively, relatively nicely.

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And I think just scanning over it briefly before I jumped on air.

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I think the thing it has to do is be fast and slow all the time

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you know, it has to move from action piece to slow sort of

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character moments and has to sort of juggle that throughout the

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entire thing.

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And, um, no, I thought it, I thought it did pretty well.

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Brilliant.

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Todd, how about you?

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It was fine.

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And uh, Chris Chibnol episode that doesn't annoy me with dialogue

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or plot points or uh, any Jody episode that where she doesn't

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annoy me is actually a good episode and she was good and I really

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loved her pet talk to the Daleks and some of her quieter moments.

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So I actually thought, yeah, this was, um, yeah, I liked it.

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Um, I don't know what else to say.

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Nope, that's good.

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We'll get back to more things in a minute, Brendan.

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Um, it's funny.

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Sort of after it finished, I felt like I didn't really enjoy it

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all that much.

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And then when I watched it again, I'm like, no, I actually really

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quite enjoyed this.

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I did have problems with it, which I'm sure we'll discuss later on

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here.

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But overall, I did quite enjoy it.

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I thought it used most of the characters really well, and I

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thought it was another cracking performance from Jody, who in The

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Timeless Children, which I've got, you know, big problems with the

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structure of, I couldn't fault her performance in that, and she's

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still bringing that same level.

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I have to say that I was initially pretty bored with it.

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And particularly, I still think that it takes far, far too long to

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get to the point.

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But I think there's some fun to be had.

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Um, And yeah, some things actively annoyed me, but generally

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speaking, like it looked good and the end of it was certainly kind

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of exciting enough and the resolution was particularly good.

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So uh, that's kind of how I'm feeling about it.

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How do we feel the Daleks came off?

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Well, I thought it was fun that we have a kind of kind of faux

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daleks in these ones, which have been put together, these these

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were robotic daleks, which are, which are 3D printed here in, in

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in Wales somewhere.

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And that was fun because as I understand it, the new Dalek design

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doesn't have operators in it, does it?

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Like it, it, they don't have exes in it.

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So in a way, it was sort of playing with itself a little bit

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there.

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It's sort of metafiction a bit saying, oh, look, we can, you know

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where we're pushing this into new and interesting places.

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And I think it had that touch of remembrance about it too, didn't

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it?

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where we've got this kind of question about purity and then 2

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Dalek factions going to war.

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I think, you know, one thing after seeing 1000s of Daleks on a

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production line and 1000s of other Daleks fly out of a spaceship.

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It was perhaps a little underwhelming that we got kind of one

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sequence with them battling on the bridge, and then it was all, it

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all seemed to be wrapped up relatively quickly after that.

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Um, so you would be, you could kind of be hoping for a little bit

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more from those big set pieces than we actually got.

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Yeah, I mean, I found that because they'd spent so long just kind

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of following Christnoff's business dealings.

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And, you know, like, I don't think the Daleks were introduced

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until, like, about 35 minutes in and the whole thing doesn't

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really go to hell until about 45 minutes in, that everything was a

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little bit perfunctory.

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Like the Daleks go mad and kind of shoot a bunch of people in

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maybe 2 scenes lasting a minute or 2 each.

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And then you've got that confrontation on the bridge.

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I think perhaps there just weren't quite enough dialects in it.

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What do you think, Todd?

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Yeah, perhaps, I mean, for me, I guess the, the, The thing was

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that it was always going to be the write out of Graham and Ryan.

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And so I was really focussed on that and the Daleks were just sort

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of more window dressing to keep everybody happy and, you know, um

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so, I didn't mind their use at all.

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I quite liked.

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I mean, it was actually obvious that they were going to bring the

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regular Daleks in to get rid of the new Daleks.

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Um, And I liked that and I liked them having conversations with

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themselves and other people.

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So, yeah.

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Um, I think this could have been a Christmas special and a New

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Year's special.

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I think this could have been 2 episodes and give more time to

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those battle scenes, but at the same time, they would have been

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per we've padding battle scenes.

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Yeah.

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You know what I mean?

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It would have been the sea devils storming the base, which look

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you know, looks great, but you don't, in a way, you don't lose

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anything without them.

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But it's also a fact that we do get some massive scale set pieces

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which Chris Chipnell hasn't really done before in a way that

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Russell T. Davies and sometimes Stephen Moffatt did.

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And they really succeed here.

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But those scenes like of the Daleks exterminating people at an

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airport are shot in such tight shots that it's obvious that Lee

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Haven Jones, who does a spectacular job with this episode, only

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has about 20 people.

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And so that shoots it very tight.

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But the trade-off for that is you do get them flying through the

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sky and you get that shot.

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Everyone online is loving of the doctor hanging out of the Tartar

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surrounded by Dalek, swirling around her.

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Such a great shot.

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It's a reverse genesis arc shot, isn't it, really?

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So instead of coming out of a thing.

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They go into the thing.

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But given that the technology is so much better now, it did look

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really quite spectacular, I think.

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I mean, the whole episode looked spectacular.

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I mean, I think that's one thing is that visually, the shows looks

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as good as it's ever looked.

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The other daleks we get are the Dalek Mutants, they're the kind of

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other variant in Gymnals, Dalek stories, and he features them

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really heavily in in resolution and this one.

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And I like, I like this idea that you have to get rid of every

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single scrap of a Dalek, otherwise it's going to be able to reform

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and and and come back.

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And, and the scenes, the scenes in allegedly Osaka, with with Yaz

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and Jack, where, where it attacks them.

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I mean, that was a real, that's a real moment of tension and

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really shot very nicely and perform nicely, I think.

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I actually think that, um, it's it's the slithean problem, though.

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Like you've got these sort of fairly lamentable puppets, like

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practical kind of puppets.

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And then you've got the CG ones, which are actually really

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spectacular, but look very little like the actual puppets.

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That's a real question for Doctor Who about whether it needs

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prosthetics anymore.

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And whether it should all be CG now.

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I, you know, it was a question we were talking about over wine

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over the 1st viewing was um, this, this, it's never been an easy

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mix between the prosthetics and the CG and maybe it's time for

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them to back one particular horse.

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I do reckon, though, that the, um, the puppet that's on Leo's back

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is pretty good.

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Like I think that that is actually pretty good.

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Yeah.

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And and I really like his performance.

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Nathan Stuart Jarrett as Leo.

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He creates a really good distinction between Leo and the Dalek.

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And, um, The actress playing Lynn last year, Hannah Ritchie, I

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want to say, or Charlotte Ritchie.

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Um, she did a good job as well.

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But I actually feel he's a bit more vulnerable.

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His character is a bit more vulnerable than her.

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I was reading Andrew Ellard's script notes and he sort of said

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that it was a lost opportunity not to actually save him just to

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sort of give him the sort of say with execution so that we didn't

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have to deal with him for the rest of the episode.

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But he was lovely.

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I thought he was really terrific and early on too.

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Like he was, look, I think Chris North was pretty fun, but I

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thought he was more fun than Chris North.

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I think you need a big presence like Chris North in one of these

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festive specials anyway.

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Like, and I think he's a really charismatic kind of actor and, and

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they had lightened his character a little bit to be a bit more fun

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throughout this whole thing.

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And, um, I think, I think he was kind of, I was half, I, I half

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wanted to see him killed and then I didn't want to really see him

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running around with Jody's mob of people, but she always seems to

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run around with in the, in the 3rd act.

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Um, but, but actually on reflection, I'm glad he stuck around and

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you know, there's the hint that he may not be in, it might not be

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a final goodbye from him either yet.

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Yeah, I think there'll be a 3rd one.

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For sure.

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There just has to be because this is, you know, the criticism of

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Arachnids in the UK, which, of course, that he just wanders off

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and, you know, you had the opportunity to get your Donald Trump

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analogue eaten by a giant spider, and I don't know how you resist

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that.

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You know, like, why would you forego that opportunity?

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But there's dialogue in this that says, um, that the spider's

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episode did put an end to his presidential bid and he did face

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consequences.

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But then we have the great reversal at the end of this story where

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Graham's like, can you believe he gets off scot free?

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And Ryan's like, yes.

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Yeah, yeah And for Chris Chipnall, who sometimes bludgeons us over

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the head with what the meaning of the episode is, I actually found

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that a really nice piece of writing and performance from Towson as

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well.

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Um, should we talk about the politics of it?

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I think you're going to.

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Well, I think I'm going to.

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I have to say that I thought that it was weird.

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And obviously it was shot in, what, late 2019 or something before

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you know, we broke the world and everything went to hell.

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Um, And it just comes, it does come across as slightly weird.

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So it sort of seems to be saying, you know, the Daleks are

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policemen.

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Um, but it doesn't go anywhere with that or examine it in any sort

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of particular way.

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It just sort of says, oh, you know, the police are a bit like

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Daleks, but we don't, you know, it's not, It's certainly not the

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sort of sophisticated political satire that we get in aliens of

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London or or, you know, like some stories in the Moffat era as

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well.

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I found it just a bit thin.

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He doesn't tend to say anything about anything.

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Yeah, it's kind of, it's kind of early on seems to be making the

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point that, um, uh, that, Power will resort to technology and to

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force, uh, in order to maintain that power, but it did very

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quickly gets um, left behind.

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Yeah, yeah, there's almost a, there's almost a sort of

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technocratic fascist state being set up in Joe's speech, a initial

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speech, but like, I don't know what it's saying.

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Do you know what I mean?

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Like is, I don't know what it's saying.

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It's almost like it's almost something that you could say in

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America with its sort of massive police budgets and the

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militarisation of the police and stuff like that, but it doesn't

243
00:12:50.340 --> 00:12:51.360
seem to go there.

244
00:12:51.419 --> 00:12:52.080
Yeah.

245
00:12:52.139 --> 00:12:53.700
And that's the thing.

246
00:12:53.759 --> 00:12:55.320
You have Yaz, who's a policeman.

247
00:12:56.039 --> 00:12:59.159
You have Yaz, who's a police officer, I should say.

248
00:12:59.220 --> 00:13:03.179
Um, And that isn't even mentioned here.

249
00:13:03.240 --> 00:13:06.059
Like, if she's been in the Tartars for months, maybe mentioned

250
00:13:06.059 --> 00:13:07.320
that she's lost her job.

251
00:13:07.379 --> 00:13:10.620
At which point she can say, well, you know, the police aren't what

252
00:13:10.620 --> 00:13:11.340
I thought they were.

253
00:13:11.340 --> 00:13:12.899
And that and...

254
00:13:13.200 --> 00:13:18.480
This is the thing I find frustrating in these, is that I think

255
00:13:18.480 --> 00:13:22.440
Chris Chipnell writes good stories, but someone else needs to take

256
00:13:22.440 --> 00:13:28.139
a pass at the dialogue, and it's, it's not like, you know, when

257
00:13:28.139 --> 00:13:32.100
episodes under Stephen Moffatt's tenure didn't work.

258
00:13:32.220 --> 00:13:35.820
You look at them and you go, okay, I can see what they're going

259
00:13:35.820 --> 00:13:40.019
for, but this would need major changes in order to work properly.

260
00:13:40.080 --> 00:13:43.320
With Chris Chipnell episodes, it's like, oh, this would just need

261
00:13:43.320 --> 00:13:47.820
like 2 or 3 lines and it would be excellent as opposed to just

262
00:13:47.820 --> 00:13:49.559
good or decent.

263
00:13:49.620 --> 00:13:50.100
Yeah.

264
00:13:50.100 --> 00:13:54.299
And it's it's frustrating because you see Chris Chipnell

265
00:13:54.299 --> 00:13:56.580
interviewed and he doesn't seem to have a huge chip on his

266
00:13:56.580 --> 00:13:57.000
shoulder.

267
00:13:57.059 --> 00:13:58.559
Like he seems to be a very nice person.

268
00:13:58.620 --> 00:14:01.980
All the other writers talk about how collaborative the environment

269
00:14:01.980 --> 00:14:05.340
is, but it just seems like there's no one occasionally saying

270
00:14:05.340 --> 00:14:09.000
actually, I think this is good but could just be a little bit

271
00:14:09.000 --> 00:14:09.360
better.

272
00:14:09.779 --> 00:14:15.059
I think the dialogue where I notice it is in the emotional moments

273
00:14:15.059 --> 00:14:16.799
in the slower character moments.

274
00:14:16.860 --> 00:14:20.700
Uh, that's where I think it, uh, that's where I think it clunks

275
00:14:20.700 --> 00:14:21.120
along a bit.

276
00:14:21.179 --> 00:14:24.240
Oh, I think it's shockingly poor, actually.

277
00:14:24.299 --> 00:14:26.820
I have to say that I think that those scenes.

278
00:14:26.879 --> 00:14:31.440
And Mandeep manages to hide it a little bit by being so incredibly

279
00:14:31.440 --> 00:14:33.059
good in that scene with Jack.

280
00:14:33.120 --> 00:14:36.120
But I do think that scene with Jack is complete nonsense from

281
00:14:36.120 --> 00:14:36.899
beginning to end.

282
00:14:36.960 --> 00:14:40.200
And while it's trying to become, like, you don't choose when to

283
00:14:40.200 --> 00:14:44.639
leave the doctor, except you will in about like half an hour's

284
00:14:44.639 --> 00:14:48.059
time at the end of the episode where 2 people choose to leave the

285
00:14:48.059 --> 00:14:48.419
doctor.

286
00:14:48.480 --> 00:14:49.679
Like, it's nonsense.

287
00:14:49.740 --> 00:14:50.460
It's nonsense.

288
00:14:50.519 --> 00:14:51.659
And the one, yeah.

289
00:14:51.720 --> 00:14:55.080
No, no, no, Jack, the doctor just constantly dumps you.

290
00:14:55.139 --> 00:14:56.159
Yeah that's right.

291
00:14:56.220 --> 00:14:57.059
That's just you.

292
00:14:57.539 --> 00:14:59.879
It's the difference, not that...

293
00:14:59.879 --> 00:15:01.799
That's actually a really good point.

294
00:15:01.860 --> 00:15:05.340
I just think the difference might be that Jack and Yaz are kind of

295
00:15:05.340 --> 00:15:10.860
in love with the doctor. in a way that Ryan and Graham are not.

296
00:15:10.919 --> 00:15:15.000
So they can't ever leave the doctor because in fact, they have a

297
00:15:15.000 --> 00:15:19.259
much greater emotional attachment to her. than Ryan and Graham

298
00:15:19.259 --> 00:15:21.899
doing the same way that Jack is kind of like, well, I'll never be

299
00:15:21.899 --> 00:15:26.220
free of the doctor because I've always sort of, um, I've always

300
00:15:26.279 --> 00:15:28.740
always sort of linked to him slash her in that way.

301
00:15:29.759 --> 00:15:34.259
I think the other scene too, the bookends that, which is, is the

302
00:15:34.259 --> 00:15:40.139
doctor and Ryan, is equally terrible, and you can see both actors

303
00:15:40.139 --> 00:15:42.840
struggling to kind of work out how to play it.

304
00:15:42.960 --> 00:15:49.440
Um, uh, you know, I, I do think that, that, it's a shame that we

305
00:15:49.440 --> 00:15:54.779
haven't got really very well drawn relationships among all those

306
00:15:54.779 --> 00:15:59.220
characters and we tend to just be told, you know, we don't tend to

307
00:15:59.220 --> 00:15:59.700
see it.

308
00:15:59.759 --> 00:16:02.100
It's it's never subtextual.

309
00:16:02.159 --> 00:16:02.879
It's just the text.

310
00:16:02.940 --> 00:16:06.600
It's a little bit like, was it Ascension of the Cybermen, where

311
00:16:06.600 --> 00:16:10.320
Graham said how impressive he thought Yaz was, and it's kind of

312
00:16:10.320 --> 00:16:11.940
like, well, where did that come from?

313
00:16:12.000 --> 00:16:16.919
You know, like she is impressive, but, you know, um, Todd, how did

314
00:16:16.919 --> 00:16:23.100
you feel we handled the departure of the companions?

315
00:16:23.639 --> 00:16:30.000
I'm quite liked that, I mean, it was I quite liked Ryan's

316
00:16:30.000 --> 00:16:30.419
departure.

317
00:16:30.480 --> 00:16:31.139
I thought.

318
00:16:31.259 --> 00:16:35.879
Um, it was Being signposted for a while.

319
00:16:35.940 --> 00:16:36.720
I guess.

320
00:16:36.779 --> 00:16:41.100
Um, and I actually didn't mind his scene with um, Jody.

321
00:16:41.159 --> 00:16:46.200
Um, I felt that that you could tell they were both on the same

322
00:16:46.200 --> 00:16:50.220
page, knowing that he was headed for the door at some point.

323
00:16:50.279 --> 00:16:51.419
Yeah.

324
00:16:51.419 --> 00:16:52.620
I guess with Graham.

325
00:16:52.679 --> 00:16:56.279
I thought Graham was really underused in this episode and for him

326
00:16:56.279 --> 00:16:59.460
then just to sort of stay behind because Ryan's not coming.

327
00:16:59.519 --> 00:17:01.679
I don't know whether that was necessary.

328
00:17:01.679 --> 00:17:04.079
Completely true to the character.

329
00:17:04.140 --> 00:17:06.000
You may disagree.

330
00:17:06.059 --> 00:17:06.779
I felt.

331
00:17:06.779 --> 00:17:09.660
Okay, that he's made that decision.

332
00:17:09.720 --> 00:17:14.519
Um, He could have easily, quite easily have stayed as well and

333
00:17:14.519 --> 00:17:18.420
said, yeah, it's down on your own 2 feet, um, for a bit and I'll

334
00:17:18.420 --> 00:17:19.200
see you when you get back.

335
00:17:19.259 --> 00:17:19.740
I don't know.

336
00:17:19.799 --> 00:17:23.099
I, But I do like the fact that they weren't killed off or made

337
00:17:23.099 --> 00:17:25.920
into some sort of travel with the mortals around the universe.

338
00:17:26.460 --> 00:17:30.599
It's actually the 1st normal companion departure, isn't it?

339
00:17:30.660 --> 00:17:32.940
Martha maybe, but she's sort of traumatised.

340
00:17:33.000 --> 00:17:36.420
But it's the 1st time people say actually we're kind of done

341
00:17:36.420 --> 00:17:36.720
here.

342
00:17:36.779 --> 00:17:38.519
Thanks. it's been fun.

343
00:17:38.700 --> 00:17:42.420
And it is, I think it is sort of well signposted at the

344
00:17:42.420 --> 00:17:42.839
beginning.

345
00:17:42.900 --> 00:17:47.940
Like you can tell because Ryan and Graham have got on with their

346
00:17:47.940 --> 00:17:51.779
lives for the last 10 months that they've actually started to see

347
00:17:51.779 --> 00:17:56.519
how the world works without the doctor and you can see Yaz, who's

348
00:17:56.519 --> 00:18:01.259
got her madness wall of, she just needed some red thread.

349
00:18:01.319 --> 00:18:01.799
Yeah.

350
00:18:01.799 --> 00:18:05.700
You know, she's got her paranoia wall on the, in the, in, uh

351
00:18:05.700 --> 00:18:06.420
Ruth.

352
00:18:06.480 --> 00:18:07.200
Is it Ruth Darnus?

353
00:18:07.259 --> 00:18:09.059
No, no, it's just a spare.

354
00:18:09.119 --> 00:18:10.019
It's the spare.

355
00:18:10.140 --> 00:18:12.180
It's the spare tartars that we killed.

356
00:18:12.240 --> 00:18:13.079
That we kill.

357
00:18:13.140 --> 00:18:15.720
Yeah, I mean, the doctor kills one of...

358
00:18:15.720 --> 00:18:21.900
Possibly the only 4 Tartuses in the universe. in order to stop the

359
00:18:21.900 --> 00:18:26.220
Daleks in, like a, oh, what is it, a Peter Rabbit sort of moment?

360
00:18:26.279 --> 00:18:29.099
Like, oh, I bet you can't come in here and kill me.

361
00:18:29.819 --> 00:18:32.579
She just doesn't even have any bedrooms, right?

362
00:18:32.940 --> 00:18:35.819
Oh, where's Nissa and Tegan's room?

363
00:18:37.980 --> 00:18:43.079
That's the other thing about that conversation between Ryan and

364
00:18:43.079 --> 00:18:45.180
the doctor.

365
00:18:45.240 --> 00:18:49.859
It takes 4 minutes to get to Osaka and presumably Chris North and

366
00:18:49.859 --> 00:18:54.180
Graham are in Jack's suites at the cocktail bar.

367
00:18:54.299 --> 00:18:55.859
That is right.

368
00:18:55.920 --> 00:18:57.960
I thought when I watched, like, where the hell are they?

369
00:18:58.920 --> 00:19:03.299
I like to think that Graham is off showing him that newspaper

370
00:19:03.299 --> 00:19:05.880
machine where he got the coupons to go to Orphan 55.

371
00:19:06.960 --> 00:19:09.000
I hope it'll happen again.

372
00:19:09.059 --> 00:19:10.079
Go there now.

373
00:19:11.099 --> 00:19:14.279
We talked a bit about the Chris North character.

374
00:19:14.339 --> 00:19:17.640
I didn't like how stupid he was when he was in the TARDIS and

375
00:19:17.640 --> 00:19:19.799
couldn't really understand.

376
00:19:19.859 --> 00:19:23.759
Like, at some points he was quite funny and and and used well.

377
00:19:23.819 --> 00:19:24.720
Other points, I just thought, oh.

378
00:19:24.779 --> 00:19:27.420
Really, that's what we're going for.

379
00:19:27.480 --> 00:19:32.039
Oh, no, it's a complaint, but I think he has 2 really brilliant

380
00:19:32.039 --> 00:19:36.059
lines, and the one is when we learn that all of the people

381
00:19:36.059 --> 00:19:40.019
operating the factory have been sort of liquidised and fed to the

382
00:19:40.019 --> 00:19:43.799
Daleks, and he goes, you know, this is a PR disaster, I think

383
00:19:43.799 --> 00:19:44.940
spectacular.

384
00:19:45.000 --> 00:19:49.559
And then, and then it, it's like one of the uh, doctor's companion

385
00:19:49.559 --> 00:19:52.019
says, oh, give us a reason why we should save you.

386
00:19:52.019 --> 00:19:53.579
And he just goes, money.

387
00:19:55.440 --> 00:19:59.519
Like, I actually think part of the problem with the with the

388
00:19:59.519 --> 00:20:03.180
cibnolia is that it doesn't, everyone is playing it too

389
00:20:03.180 --> 00:20:06.900
particularly Tosen, but everyone is sort of playing it, isn't

390
00:20:06.900 --> 00:20:07.920
playing it quite big enough.

391
00:20:07.980 --> 00:20:14.220
Um, and he, he, he is actually doing that a bit.

392
00:20:14.279 --> 00:20:16.440
And so I sort of quite liked him.

393
00:20:16.500 --> 00:20:19.980
I wasn't a big fan of just watching his business dealings for half

394
00:20:19.980 --> 00:20:21.299
an hour at the beginning of the episode.

395
00:20:21.359 --> 00:20:26.400
I did like the line where he was talking about, they've got stunt

396
00:20:26.400 --> 00:20:30.119
Dalek weapons in at that very beginning to test on the stunt

397
00:20:30.119 --> 00:20:33.839
protesters and he says, you know, she says we, they're not, it's

398
00:20:33.839 --> 00:20:36.059
not real gas and he goes, yeah, but I still think that could have

399
00:20:36.059 --> 00:20:36.599
been fun.

400
00:20:37.140 --> 00:20:39.180
Trumpy in line.

401
00:20:39.839 --> 00:20:44.279
That's kind of interesting too, because it's clear that Chibnall

402
00:20:44.279 --> 00:20:46.859
can write some fun engaging dialogue.

403
00:20:46.920 --> 00:20:51.240
And I think in the fast moving scenes, in, in the, in the sort of

404
00:20:51.240 --> 00:20:55.019
um, lots of people around, lots of things happening, those scenes

405
00:20:55.019 --> 00:21:00.240
the dialogue is not so awful as it is when he's just doing those 2

406
00:21:00.240 --> 00:21:01.980
people having a DNM moment together.

407
00:21:02.160 --> 00:21:03.539
Yeah.

408
00:21:03.599 --> 00:21:07.019
I think is, I'm, I'm, I'm going to dissent and say, I actually

409
00:21:07.019 --> 00:21:09.539
quite like the 2 DNM conversations.

410
00:21:09.660 --> 00:21:14.099
I, I, the problem I have with the, the Ryan and the doctor one is

411
00:21:14.099 --> 00:21:18.900
it covers some of the same ground as the Ruth doctor and doctor

412
00:21:18.900 --> 00:21:23.940
conversation in the Matrix last episode, but it also brings home

413
00:21:23.940 --> 00:21:27.180
to me that, because I was thinking, hold on, why is the doctor

414
00:21:27.180 --> 00:21:29.039
still thinking about this after 19 years?

415
00:21:29.099 --> 00:21:35.339
And it's, it goes back to the doctor needs companions and needs

416
00:21:35.339 --> 00:21:36.059
humans.

417
00:21:36.059 --> 00:21:41.880
And, you know, Matt Smith needed Amy and Rory, like with the

418
00:21:41.880 --> 00:21:44.519
doctor, the widow in the wardrobe, he's pretending like he's

419
00:21:44.519 --> 00:21:46.619
functional and Claire's skin is like, no, you're not.

420
00:21:46.740 --> 00:21:50.039
You are like, just go find your friends and have Christmas dinner

421
00:21:50.039 --> 00:21:50.579
you tool.

422
00:21:50.640 --> 00:21:55.079
Um And I think that's kind of what it is here in that.

423
00:21:55.740 --> 00:22:01.200
The doctor is doing that thing that some fans, hello, me, do, and

424
00:22:01.200 --> 00:22:03.720
it's like, I must come up with a theory that fits all these facts

425
00:22:03.720 --> 00:22:06.839
and Ryan cuts through it and says, no, you just run around saving

426
00:22:06.839 --> 00:22:07.680
people in a blue box.

427
00:22:07.740 --> 00:22:08.400
Yeah.

428
00:22:08.400 --> 00:22:12.599
You know, that, what, nothing takes anything away from that.

429
00:22:12.660 --> 00:22:15.900
And I think that's a really, I think that's a really sweet

430
00:22:15.900 --> 00:22:16.440
moment.

431
00:22:16.500 --> 00:22:22.740
The dialogue I had a big problem with is um, is Prime Minister Joe

432
00:22:22.740 --> 00:22:25.079
who's Joe Patterson.

433
00:22:25.140 --> 00:22:27.000
It's an easy name to remember, but I keep forgetting it.

434
00:22:27.059 --> 00:22:32.519
Um, Her line of dialogue of something like if anyone finds out

435
00:22:32.519 --> 00:22:36.119
that I'm the one who helped you steal the dialect after killing

436
00:22:36.119 --> 00:22:40.200
the driver in a layby and stuffing him in a in stuffing him in a

437
00:22:40.200 --> 00:22:43.559
van and the tea truck had comic sands on the outside.

438
00:22:43.619 --> 00:22:44.759
I noticed that.

439
00:22:44.819 --> 00:22:47.819
But, you know, that kind of fits because it's a fake tea truck.

440
00:22:47.880 --> 00:22:53.160
Um, the other, and the other line I really hated in that, um, in

441
00:22:53.160 --> 00:22:55.319
that the workers have been fed and popped.

442
00:22:55.380 --> 00:22:58.619
It's like, one, the Dalek's like, the workers were made.

443
00:22:58.680 --> 00:23:00.000
And I'm like, redundant?

444
00:23:00.119 --> 00:23:01.920
Unnecessary.

445
00:23:02.759 --> 00:23:05.400
Okay, plane thieves, got it?

446
00:23:05.460 --> 00:23:10.019
Um, but then Jack's like, you popped the workers and fed them to

447
00:23:10.019 --> 00:23:10.859
it's like, yes, we get that.

448
00:23:10.920 --> 00:23:12.359
Yeah, yeah, yeah.

449
00:23:12.420 --> 00:23:13.200
Who pulled them?

450
00:23:13.259 --> 00:23:13.980
Do you think?

451
00:23:14.460 --> 00:23:16.619
Got some contractors in?

452
00:23:16.680 --> 00:23:17.099
Yeah.

453
00:23:17.099 --> 00:23:20.819
Well, and, you know, that's a metaphor for the episode because you

454
00:23:20.819 --> 00:23:23.039
get the contractors in to pulp the old workers, but then you got

455
00:23:23.039 --> 00:23:25.500
to pulp the contractors.

456
00:23:25.559 --> 00:23:27.240
So it's a thing.

457
00:23:27.299 --> 00:23:29.400
Now, one thing that we haven't talked about is prison.

458
00:23:29.640 --> 00:23:34.920
And I think that Jody's in prison longer than 19 years.

459
00:23:34.980 --> 00:23:39.599
So Jack says that it takes, it took him 19 years to get to be in

460
00:23:39.599 --> 00:23:40.559
the cell next to her.

461
00:23:40.559 --> 00:23:43.980
And when she says it's been a rough few decades, I think she's

462
00:23:43.980 --> 00:23:45.000
been there for a long time.

463
00:23:45.059 --> 00:23:47.220
So why doesn't she try to escape?

464
00:23:50.279 --> 00:23:54.180
Because she's having a, she's having a good time ruminating and

465
00:23:54.180 --> 00:23:58.200
feeling sorry for herself, which look, Tom Baker does in Brain of

466
00:23:58.200 --> 00:24:02.339
Morbius, Colin Baker does, threatens to do with the twin dilemma.

467
00:24:02.400 --> 00:24:05.880
It's like without any, without any humans around, she's like, oh

468
00:24:05.880 --> 00:24:08.519
well, why shouldn't I just sit here for 500 years and think about

469
00:24:08.519 --> 00:24:08.759
it?

470
00:24:08.819 --> 00:24:12.180
At least I'm not on an annoying planet called Christmas.

471
00:24:12.240 --> 00:24:14.940
How did you find the prison scenes, Todd?

472
00:24:15.480 --> 00:24:19.440
They were fine to quote myself.

473
00:24:19.500 --> 00:24:24.900
What I actually really enjoyed was seeing other creatures from the

474
00:24:24.900 --> 00:24:25.319
past.

475
00:24:25.319 --> 00:24:31.859
And although, you know, the doctors, like, the doctor for her

476
00:24:31.859 --> 00:24:34.980
crimes and then, but then we've got like a weeping angel and I did

477
00:24:34.980 --> 00:24:36.660
burst out laughing when I saw the pating.

478
00:24:36.720 --> 00:24:37.799
I just thought that was wonderful.

479
00:24:37.859 --> 00:24:42.480
What about, at the very end, so she's calling it tiny, but Ryan

480
00:24:42.480 --> 00:24:44.940
refers to it as the mighty patini.

481
00:24:45.779 --> 00:24:47.700
Go on, Todd.

482
00:24:47.940 --> 00:24:53.339
Yeah, so I didn't mind that, but I just thought, and I guess it

483
00:24:53.339 --> 00:24:54.059
comes back to this.

484
00:24:54.119 --> 00:24:58.859
They needed her to be away from Ryan and and Graham for 10

485
00:24:58.859 --> 00:24:59.220
months.

486
00:24:59.279 --> 00:25:02.039
So it's almost like he reverse engineers, like we're going to

487
00:25:02.039 --> 00:25:02.519
write him out.

488
00:25:02.579 --> 00:25:06.359
So let's have the doctor be in prison, and then how do we get her

489
00:25:06.359 --> 00:25:06.900
out of prison?

490
00:25:06.960 --> 00:25:09.720
Oh, well, let's bring in this character, like, there's all these.

491
00:25:10.920 --> 00:25:16.559
I don't know, utterly predictable or easy solutions to the

492
00:25:16.559 --> 00:25:19.799
problems, that sort of just, if I can put it that way, that I kind

493
00:25:19.799 --> 00:25:25.259
of think in Stephen Moffat's time or um, Russell's time, it would

494
00:25:25.259 --> 00:25:30.660
be, uh, you'd be surprised, whereas I'm never quite, Surprised

495
00:25:30.660 --> 00:25:33.119
were like, oh, oh, that makes logical sense.

496
00:25:33.180 --> 00:25:37.140
I mean, he, He answered virtually all of my questions in the

497
00:25:37.140 --> 00:25:38.279
episode about how things work.

498
00:25:38.339 --> 00:25:40.440
So I was quite satisfied with that.

499
00:25:40.500 --> 00:25:45.180
Um, And, you know, having Jack there to give us references to

500
00:25:45.180 --> 00:25:48.299
companions and other people passed is always a nice little

501
00:25:48.299 --> 00:25:50.339
sprinkling of nostalgia.

502
00:25:50.400 --> 00:25:54.420
Um, But why stay in there for that long?

503
00:25:54.480 --> 00:25:58.140
I mean, a doctor break out, like, doesn't she?

504
00:25:59.160 --> 00:26:01.019
What how did it change her?

505
00:26:01.079 --> 00:26:06.059
Like, what is the ordeal in prison that means that she's a

506
00:26:06.059 --> 00:26:08.640
different person when she comes out of it than when she went into

507
00:26:08.640 --> 00:26:08.940
it?

508
00:26:09.000 --> 00:26:11.519
In fact, there's there's none of that at all.

509
00:26:11.579 --> 00:26:13.920
It's just she's exactly the same sort of person.

510
00:26:13.920 --> 00:26:19.680
So it does really seem like it was just marking time and and um, uh

511
00:26:19.680 --> 00:26:24.180
it would have been nice if we could have, if for the 3 companions

512
00:26:24.180 --> 00:26:26.819
sake, they could have looked at this person who has, you know

513
00:26:26.819 --> 00:26:30.180
spent decades away and noticed that she has changed in some way.

514
00:26:30.240 --> 00:26:32.460
Yeah, that she hasn't.

515
00:26:32.519 --> 00:26:36.000
No, and they, and he, she never says anything and maybe that's

516
00:26:36.000 --> 00:26:36.299
nice.

517
00:26:36.359 --> 00:26:39.720
It's nice to have her not be self-pitying about it afterwards.

518
00:26:39.779 --> 00:26:43.140
But I think it's a mistake to have the doctor turn up and have

519
00:26:43.140 --> 00:26:44.519
everyone cross at her.

520
00:26:44.579 --> 00:26:47.339
You know, like we should be excited that she's entered the story

521
00:26:47.339 --> 00:26:49.019
and we're kind of not.

522
00:26:49.079 --> 00:26:51.960
And I do think that the prison break had, there was no nothing

523
00:26:51.960 --> 00:26:52.980
clever to it.

524
00:26:53.039 --> 00:26:56.880
Like, one of the things that I miss is when the doctor does

525
00:26:56.880 --> 00:26:58.019
something super clever.

526
00:26:58.079 --> 00:27:02.640
And in this story, she gets rescued by someone else who brings the

527
00:27:02.640 --> 00:27:06.240
you know, escaping from prison device with him.

528
00:27:06.299 --> 00:27:07.740
So there's nothing.

529
00:27:07.799 --> 00:27:10.140
There's no heist, there's no distract the guards.

530
00:27:10.200 --> 00:27:11.099
There's really nothing.

531
00:27:11.160 --> 00:27:14.460
It is a fun sequence, like the ball thing.

532
00:27:14.519 --> 00:27:18.720
Um, and in in a sort of 45 minute stretch where we're pretty

533
00:27:18.720 --> 00:27:21.660
starved of action, that is quite welcome, I think.

534
00:27:21.720 --> 00:27:25.740
Um, And again, you know, like we spend a lot of time just going

535
00:27:25.740 --> 00:27:28.319
around finding out what happens and then there's a clever thing

536
00:27:28.319 --> 00:27:32.400
that we don't see her come up with at the end.

537
00:27:32.460 --> 00:27:33.420
Do you know what I mean?

538
00:27:33.480 --> 00:27:37.740
There is a kind of, there's a straightforwardness to it, which I

539
00:27:37.740 --> 00:27:41.339
actually think is, you know, a bit unambitious, I guess.

540
00:27:41.400 --> 00:27:42.660
I agree with you.

541
00:27:42.720 --> 00:27:46.859
I think there's some narrative cleverness in the fact that the 2nd

542
00:27:46.859 --> 00:27:50.099
TARDIS has been sitting there unnoticed throughout most of the

543
00:27:50.099 --> 00:27:54.480
episode, it's there and then she uses it at the end and she

544
00:27:54.480 --> 00:27:55.200
disguises it.

545
00:27:55.259 --> 00:27:57.900
And I think that's got an element of cleverness in it.

546
00:27:57.960 --> 00:28:01.319
But overall, you do get the sense after watching the episode of

547
00:28:01.319 --> 00:28:04.920
Jody spending a lot of time in the Tartist pressing buttons.

548
00:28:05.039 --> 00:28:06.000
Yeah.

549
00:28:06.000 --> 00:28:12.000
And where she doesn't get a big moment towards the end where she

550
00:28:12.000 --> 00:28:14.940
gets to confront it, confront the villains and kind of bring

551
00:28:14.940 --> 00:28:18.900
everything to a close, except she's a hologram when she's talking

552
00:28:18.900 --> 00:28:22.259
to the SAS Starlex in the old TARDIS.

553
00:28:22.319 --> 00:28:26.099
So there's a real sense of her being distanced from all the

554
00:28:26.099 --> 00:28:26.519
action.

555
00:28:26.759 --> 00:28:28.140
Yeah.

556
00:28:28.140 --> 00:28:29.339
I mean, I agree with you.

557
00:28:29.400 --> 00:28:32.700
That moment, using that TARDIS is the clever moment.

558
00:28:32.759 --> 00:28:36.660
But I just want more clever moments rather than what I can see has

559
00:28:36.660 --> 00:28:37.440
been obvious.

560
00:28:37.500 --> 00:28:43.440
And um, straightforwardness to plotting because it all works in

561
00:28:43.440 --> 00:28:46.319
this perfunctory to get us to the end so that 2 companions will

562
00:28:46.319 --> 00:28:46.740
leap.

563
00:28:46.799 --> 00:28:50.400
I mean, I guess that's my one criticism.

564
00:28:50.460 --> 00:28:51.299
Don't get me wrong.

565
00:28:51.359 --> 00:28:52.259
I did enjoy it.

566
00:28:52.319 --> 00:28:52.920
It was fine.

567
00:28:52.980 --> 00:28:58.319
Um, But I'm not in love with the episode, but I thought there were

568
00:28:58.319 --> 00:28:59.099
some good moments.

569
00:28:59.519 --> 00:29:01.079
Hmm.

570
00:29:01.140 --> 00:29:07.319
Um, I will say that knowing that Graham and Ryan were leaving, now

571
00:29:07.319 --> 00:29:12.000
of course, I put out a mad theory on YouTube, Graham was going to

572
00:29:12.000 --> 00:29:15.000
be the doctor and his personality was hidden inside his West Ham

573
00:29:15.000 --> 00:29:17.640
badge because it said West Ham of Duro and he was going to travel

574
00:29:17.640 --> 00:29:19.380
around the universe with his grandson.

575
00:29:19.500 --> 00:29:21.059
Might still happen, Brendan.

576
00:29:21.119 --> 00:29:22.740
It might still happen.

577
00:29:22.799 --> 00:29:28.019
As my friends and friends of the podcast, Scott and Anson pointed

578
00:29:28.019 --> 00:29:31.019
out, little bit death of personality for Graham, though.

579
00:29:31.079 --> 00:29:32.220
It's like, yep, fair enough.

580
00:29:32.279 --> 00:29:36.000
Um, But because that announcement was made, a lot of people were

581
00:29:36.000 --> 00:29:39.240
like, oh, they're going to be exterminated by Daleks because it's

582
00:29:39.240 --> 00:29:40.140
a Dalek story.

583
00:29:40.200 --> 00:29:43.980
And when they're running around on the ship, I was, I had, like

584
00:29:43.980 --> 00:29:46.500
been saying for months, they're not going to, Chris Chibnall is

585
00:29:46.500 --> 00:29:47.759
not going to kill his companions.

586
00:29:47.819 --> 00:29:49.859
That's Moffat's thing. kind of thing.

587
00:29:49.920 --> 00:29:54.839
Um, But when they're running around on the ship, I'm like, actually

588
00:29:54.839 --> 00:29:59.640
like this, it created genuine suspense in me in a way that doesn't

589
00:29:59.640 --> 00:30:02.339
often happen with Doctor Who because you know everyone's going to

590
00:30:02.339 --> 00:30:02.880
get out okay.

591
00:30:02.940 --> 00:30:05.160
It's like, well, actually, no, I know this is their departure

592
00:30:05.160 --> 00:30:05.640
story.

593
00:30:05.700 --> 00:30:08.819
And yeah, if Graham was killed, I think that would be enough for

594
00:30:08.819 --> 00:30:10.380
Ryan to say, uh no.

595
00:30:10.500 --> 00:30:17.160
In fact, I think Yaz's advice to them, which is make sure that you

596
00:30:17.160 --> 00:30:21.299
you have to detonate the bombs after you're on your way back. you

597
00:30:21.299 --> 00:30:24.119
know, like he's deliberately setting that up to be a bit of peril

598
00:30:24.119 --> 00:30:25.380
for those 2 in particular.

599
00:30:25.440 --> 00:30:26.160
Yeah.

600
00:30:26.160 --> 00:30:27.960
All right.

601
00:30:28.019 --> 00:30:32.400
Well, look, I'm super aware of the need to keep this episode

602
00:30:32.400 --> 00:30:36.839
shorter than the eventual 2025 flight through entirety episode

603
00:30:36.839 --> 00:30:42.059
that we're going to do once we've had time to actually come up

604
00:30:42.059 --> 00:30:43.859
with considered opinions.

605
00:30:44.759 --> 00:30:47.460
So we might wind it up there.

606
00:30:47.880 --> 00:30:51.299
I want to plug flights through entirety.

607
00:30:51.359 --> 00:30:56.220
We have just finished the 2009 specials, and if you're listening

608
00:30:56.220 --> 00:31:01.200
to this today, There will be a big retrospective, thanks in very

609
00:31:01.200 --> 00:31:05.339
large part to Todd, coming out, I think, probably this Friday, and

610
00:31:05.339 --> 00:31:08.819
then, of course, we'll do season 5 later in the year.

611
00:31:08.880 --> 00:31:12.119
Um, Brendan, I think you have things to plug.

612
00:31:12.180 --> 00:31:12.839
I do.

613
00:31:12.900 --> 00:31:16.500
My YouTube channel is back, so you can check out Brandy Bongos, and

614
00:31:16.500 --> 00:31:20.519
from the end of this month, I will be uploading new videos in my

615
00:31:20.519 --> 00:31:23.700
say something nice series where I say something nice about every

616
00:31:23.700 --> 00:31:24.059
episode.

617
00:31:24.119 --> 00:31:27.180
And thankfully, the ratings for this one look very healthy.

618
00:31:27.240 --> 00:31:29.940
So I'm not going to have to go back and slot it in between 2

619
00:31:29.940 --> 00:31:31.019
episodes I've already done.

620
00:31:31.140 --> 00:31:33.480
Thank you, the timeless children.

621
00:31:33.539 --> 00:31:35.460
No one wants that.

622
00:31:35.819 --> 00:31:38.940
All right, Johnny, you've got nothing to plug.

623
00:31:39.000 --> 00:31:39.359
Is that in?

624
00:31:39.480 --> 00:31:42.240
Uh, nothing new to plug, but you can see, you can read everything

625
00:31:42.240 --> 00:31:45.480
I've ever thought and written about Doctor Who on Randomhooness

626
00:31:44.400 --> 00:31:45.480
com.

627
00:31:45.599 --> 00:31:50.700
Brilliant. that's awesome All right, so I guess all that remains

628
00:31:50.700 --> 00:31:54.779
is for me to say, until next time, remember you can't eat the cage

629
00:31:54.779 --> 00:31:58.680
believe me, I've tried, and I spent the next week flossing with an

630
00:31:58.680 --> 00:32:00.059
angle grinder.

631
00:32:00.119 --> 00:32:01.980
Thank you very much for listening and good night.

632
00:32:02.039 --> 00:32:04.140
You can eat the harness though.

633
00:32:04.200 --> 00:32:04.500
Good night.

634
00:32:04.559 --> 00:32:05.039
Good night.

635
00:32:05.099 --> 00:32:07.140
6.7 out of 10.

636
00:32:07.380 --> 00:32:07.920
Good night.